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    CouchFest is now a part of SHNIT Short Film Fest (Philly Oct 17, 2015)

    October 6, 2015 /

    Shnit is a 12-day celebration of short film, hosted simultaneously in multiple cities around the world as shnit Playgrounds & shnit Cinemas.  Last year Tinsel & Tine covered Couch Fest Shorts Film Festival hosted by The MadLap Post This year, Couch Fest became a part of shnit, allowing more communities to have access to exceptional films. Nicole Ayers of Madlab will once again host the screenings in the Philly area. Background: What started as a local initiative in Bern Switzerland is now an exceptional transnational event that connects and inspires makers and fans of short films across the globe, ending in the star-studded New York Finale. Shnit embraces diversity, originality…

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    Trifecta: THE OTHER WOMAN

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    August 13, 2015

    Oscars Wrap Up – 86th Academy Awards (2014)

    March 4, 2014
  • Bloggy Archives,  Mini Movie Reviews Archives

    Documentary: SEYMOUR: AN INTRODUCTION

    March 29, 2015 /

    I can understand why actor/director Ethan Hawke became fascinated with pianist Seymour Bernstein upon meeting him at a dinner party, enough to want to deepen the friendship and learn what makes this gentle soul seem so content with life and able to so completely share his passion for music and the piano with his supremely fortunate students...

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    History of Racism on High Alert #PhillyProtest #PhillyRiots During Corona Pandemic – What’s Next?

    May 31, 2020

    Candi’s Corner Review – Evil Dead: The Musical

    October 2, 2013

    EVERYTHING EVERYWHERE ALL AT ONCE, THE UNBEARABLE WEIGHT OF MASSIVE TALENT, THE BAD GUYS, THE NORTHMAN, FANTASTIC BEASTS: SECRETS OF DUMBLEDORE, FATHER STU, THE LOST CITY, BETTER NATE THAN EVER, TURNING RED, FLESH

    September 30, 2022
  • Uncategorized

    A Revlock Review: RUN ALL NIGHT

    March 14, 2015 /

      Liam Neeson’s Latest Thriller By Tinsel & Tine Blog Contributor Mikhail Revlock I’m probably the wrong person to be reviewing the latest Liam Neeson actioner, having observed Neeson’s ascent to action stardom at a distance and with some skepticism. To me, Neeson will always be Oskar Schindler or some prestigious variant, a habitual player in period pieces lauded by critics and reluctantly consumed by audiences, the cinematic equivalent of the Brussels sprout. I find it surreal when I spy flashes of Schindler on TV toting automatic weapons and growling murderous threats. I am not by any means an action movie snob–I have seen the vast majority of Sylvester Stallone’s…

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    Contributor Diane Roka: THE END OF THE TOUR

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