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  • Mini Movie Reviews Archives

    Movie Blog Post: NOW YOU SEE ME 2

    June 11, 2016 /

    It’s a year later and three of the Four Horsemen are still fugitives - Magician (J Daniel Atlas /Jesse Eisenberg), Mentalist (Merritt McKinney/Woody Harrelson) sleight-of-hander (Jack Wilder/Dave Franco) Isla Fisher was pregnant at the time of filming and declined to reprise her role...

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  • Mini Movie Reviews Archives

    Side Effects

    February 9, 2013 /

    As you can see Soderbergh's latest work Side Effects (written by Scott Z Burns) ranks fairly high on my list, yet I'm stuck on what I want to write about the film; mainly because I don't want to give away any plot twists, but even by saying that it kinda gives something away,

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    tinseltine 3 Comments

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  • Uncategorized

    Très Bon: Les Misérables (Golden Globe Nominated)

    December 20, 2012 /

    It’s hard for me to remember a time when the song “Do You Hear The People Sing” has not been among the top rotation of songs that just constantly live in my head. I’m not very political and I’m far too afraid of being arrested to ever actually participate in a sit in; nonetheless, I have a fantasy about taking a stand for some injustice and just when defeat seems imminent and those that stand with me seem about to cave, I break out loud and clear with: (see video below) The truth of the matter, I, like so many others have listened to Claude-Michel Schönberg and Alain Boublil‘s score…

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    tinseltine 1 Comment

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    Contributor Diane Roka: THE END OF THE TOUR

    August 13, 2015

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  • Uncategorized

    The Art of Presentation: Anna Karenina

    November 21, 2012 /

     As the theater darkened, I thought – I can’t wait to be swept up in a romantic, dramatic, grand scale period piece. And then Anna Karenina began with lighthearted hustle and bustle both on and behind a theater stage. The underlying music had comedic tones, the whole thing was choreographed as if it were the opening to a high stepping, rousing musical theater piece.  WTF!  What does any of this have to do with what I’ve known of Leo Tolstoy’s immortal classic “Anna Karenina”? Tom Stoppard’s screenplay holds no poetry. It’s deliberately streamlined. Certainly not written for anyone looking to get caught up in romantic, elegant dialogue or narration.  Director…

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    Contributor Diane Roka: THE END OF THE TOUR

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