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  • About
  • #MiniMovieReviews
  • Movie News
    • Interviews
  • Film Festivals
  • Philly Spotlight
    • #PhillyCalendar
  • Bloggy
    • Foodie
  • Mini Movie Reviews Archives

    AVATAR: THE WAY OF THE WATER, BABYLON, THE FABELMANS, BARDO, EMANCIPATION, EMPIRE OF LIGHT,

    December 22, 2022 /

    #MiniMovieReviews Extravaganza 11 - fun, quick, personal, no spoilers reviews for AVATAR: The Way of the Water, Babylon, The Fabelmans, Bardo, Emancipation & Empire of Light

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    tinseltine 1 Comment

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  • Movie News

    A Damien Chazelle Film – BABYLON Dec 25th Limited | Wide Release Jan 6th

    August 14, 2022 /

    From Damien Chazelle, BABYLON is an original epic set in 1920s Los Angeles led by Brad Pitt, Margot Robbie and Diego Calva, with an ensemble cast including

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  • Film & Movie Archives,  Mini Movie Reviews Archives

    First Man

    October 11, 2018 /

    Directed by Damien Chazelle (WhipLash & La La Land), written by Josh Singer (The Post & Spotlight) with Ryan Gosling once again Chazelle’s lead actor; in this he plays the very stoic and reserved first astronaut on the moon, Neil Armstrong. I suppose technically this is a biopic because it’s based on the official biography of Neil Armstrong by James R. Hansen, but the beats don’t play out like a biopic. It’s more the idea of how this dream, this notion of putting a man on the moon came to fruition; seen through the eyes of Neil Armstrong and his wife Jan (Claire Foy (The Crown) and their children. The…

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  • Film & Movie Archives,  Film Festivals Archives,  Interviews Archives,  Mini Movie Reviews Archives,  Philly Spotlight

    Philly Interview: DAMIEN CHAZELLE – LA LA LAND

    December 12, 2016 /

    By Tinsel & Tine Editor, Le Anne Lindsay Damien Chazelle, the writer/director of Whiplash, and his collaborative partner, composer Justin Hurwitz have created a beguiling, unapologetically romantic homage to classic movie musicals in LA LA LAND (opening film of the 25th Philadelphia Film Festival – click for T&T coverage). The opening scene, a single continuous shot shows a traffic jam in L.A., where all of the drivers emerge from their vehicles and break into song and dance. The film shouts to the audience that this is a throwback to old-school Hollywood musicals, thus, resulting in the audience understanding to view the film with a suspension of disbelief from the beginning.…

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