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THE FUTURE OF SPIDER-MAN
Kevin Feige confirmed that Disney and Sony aren’t done with the webswinger yet. Even after what felt like the Endgame of Spider-Man films, he still says they have some aces up their sleeves. Although, if you’re not a long time comic book fan, you may have no idea what to expect for the next trilogy of movies...
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Philly Premieres A HOUSE IS NOT A HOME Now on DVD in time for Halloween
SUPERNATURAL THRILLER OUT ON DVD A HOUSE IS NOT A HOME Red Carpet Coverage by T&T Editor, Le Anne Lindsay Last month I attended the premiere of a horror movie called A House is Not A Home. Regular readers know since blog contributor Candi Smith of “Candi’s Corner” left T&T to pursue her own media career, I don’t cover horror movies any more; the reason being, I like to be able to sleep at night. (Note: I am looking for NEW CONTRIBUTORS, so if you’re interested, send me an email with a writing sample or two. It’s a non-paid gig, but I let you have your own voice; you’re bio…
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A Revlock Review: ROOM
Room is Harrowing yet Humane By Tinsel & Tine Contributor, Mikhail Revlock One cannot fault a sensitive, horror-averse moviegoer for balking at the premise of ROOM. On paper, the film reads as a realist revitalization of torture-porn tropes: Joy (Brie Larson) is kidnapped at nineteen by a bearded creep whom she refers to as Old Nick (Sean Bridgers), he imprisons her in a fortified garden shed and rapes her with nightly regularity, she gives birth to a child, and they live together in this tiny room for five years. With Eli Roth (Hostel) or James Wan (Saw) at the helm, Room could have represented an exercise in limit-pushing. However,…
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Visconti’s View: LEARNING TO DRIVE / Q&A with Patricia Clarkson
Learning to Drive Film Commentary By Tinsel & Tine Blog Contributor, Linda Visconti My mother never drove. She was satisfied with the urban substitute of public transportation and a husband willing to drive her elsewhere. I thought my mother sentenced herself to an unnecessary prison. It frustrated me that she wouldn’t face a fear that I saw as easy to overcome. “Learning to Drive” helped me to understand the paralysis of this particular fear and the not-so-easy road to overcoming it. Fear of driving is not the only fear that this film addresses. The fear of being left, the fear of committing to marriage, the fear of political persecution –…
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Connor’s Corner: WE ARE YOUR FRIENDS
The heart of this film, though, doesn’t lie in the CGI or even the music and sounds Cole creates and collects. While the graphics showcase a certain level of multimedia I haven’t seen in mainstream film and the music is certainly the guiding force of the plot
