Mini Movie Reviews Archives

A HAUNTING IN VENICE, FAIR PLAY, A MILLION MILES AWAY, BLUE BEETLE, MY BIG FAT GREEK WEDDING 3, JULES

Originally posted 9/12/23

A HAUNTING IN VENICE | 20th Century Studios | Director Kenneth Branagh | Writer Michael Green

While on an extended vacation in Venice, he receives a visit from Ariadne Oliver (Tina Fey), a Christie-esque author who uses Poirot as an inspiration for her best-selling detective novels. She invites him to join her for a midnight seance led by Joyce Reynolds (Michelle Yeoh), hoping he can spot a flaw that will reveal the ritual as a fake. Rowena Drake’s (Kelly Reilly) palazzo has a reputation for hauntings, but she is hosting the ceremony to reconnect with her daughter Alicia, whom she lost a year ago when she fell from a window into the canals. Also in attendance this Halloween night: the Drakes’ family doctor and his son (Jamie Dornan and Jude Hill, reuniting as father and son after Branagh’s Best Picture nominee Belfast), the housekeeper (Camille Cottin), Alicia’s ex-fiancé (Kyle Allen), Joyce’s assistants (Emma Laird, Ali Khan), and Poirot’s bodyguard (Riccardo Scamarcio). But before the night is over, a guest is dead, and our famous Belgian detective has his newest case: Which party guest committed the murder—or was the killer something more supernatural? READ MORE By Taylor Blake zekefilm.org

The film benefits from its scaled-down approach. Previous adaptations, with their star-studded casts and expansive settings, felt vast—perhaps too vast for the intimate mysteries Christie writes. In the film, here’s a welcome return to a more confined space. Fewer characters allow for a deeper dive into each persona. As this tale is one of Christie’s lesser-known works, adapting it was a clever choice, filling in the gaps and nuances that the book might have left ambiguous… READ MORE By Valerie Complex Deadline.com

What did I (LeAnne) think? 4 outta 5 – I love this Kenneth Branagh (acted/directed) Hercule Poirot franchise. At this point, his star-studded Agatha Christie adaptations feel more like passion projects than his own pseudo-biopic – “Belfast” did. This third entry loosely based on the little known, late-era Christie novel “Hallowe’en Party” is definitely the strongest in terms of artful direction; there’s a beautiful eerie quality throughout. The children’s Halloween Party in this grand, shadowy Palazzo reminds me of “The Orphanage” (2007) director J.A. Bayona, this provides that same feeling of innocent, yet creepy fun, about to go very wrong. The melancholy pallor of Venice itself is of course a character. I always hope to visit Venice in this lifetime, but I’m already prepared to feel the sad, ghostly, moodiness of the place, like I’ve seen in movies such as “Don’t Look Now”.  I’m sure Branagh’s Murder Mystery Movies are not cheap to produce, while barely making even at the box office, so a trilogy may be all we get; but I hope that’s not the case, and instead Branagh is preparing his mustache for another Christie Caper in another gorgeous locale.

T&T Review of MURDER ON THE ORIENT EXPRESS

T&T Review of DEATH ON THE NILE

FAIR PLAY | Netflix | Writer/Director Chloe Domont | Sundance 2023 Premiere

Writer-director Chloe Domont’s searing and electric “Fair Play” is set in present day but in many ways feels like a throwback psychosexual thriller a la “9 ½ Weeks” and “Disclosure,” “Fatal Attraction” and “Unfaithful.” Nearly everyone in this film behaves as if we’re in a time and place at least a generation prior to the age of #MeToo, and that might stretch credulity — until you realize there probably are some workplaces in which far too many people still behave as if they didn’t get the memo… READ MORE By Richard Roeper, ChicagoSuntimes.com

Luke (Alden Ehrenreich) is an all-too-recognizable creature: a mediocrity in love with an idea of himself, who discovers that his lover is operating at a higher level of instinct and ability. Rather than score points on Luke, Domont is aware of the pain that’s inherent in such a rude awakening. Nothing is more painful in the film than Luke’s contrived attempts to behave as the supportive fiancée even though he’s roiling with disappointment and bitterness. While Emily (Phoebe Dynever) enjoys privileged partying with Campbell and the other PMs, Luke weathers repeated humiliations as the office punchline. He’s so eager to please that he’s attending self-help seminars… READ MORE By Chuck Bowen, slantmagazine.com

What did I (LeAnne) think? 3.75 outta 5  – It’s wonderfully engrossing, like watching a speeding train about to run over something caught on the tracks.  But I don’t think a company this neanderthal-ish would have a no fraternization policy, obviously their only policy is make money any and every way, as long as the SEC doesn’t come calling, so that part of the plot, I feel, falls apart.  Besides, they live together, wouldn’t HR realize they have the same address? And also to this shared living situation, I don’t understand why Emily feels comfortable enough to come back to their apartment to sleep after all that takes place between them!?! That part made no sense to me.  But when Luke tries to undermine her by criticizing her manner of dress, that was so spot on. She tries for an Elizabeth Holmes (Theranos Founder) look and then she’s like, naw, I’m doin me, and switches back to her ultra feminine blouses and pencil skirts. 

A MILLION MILES AWAY | Amazon Studios | Writer/Director Alejandra Marquez Abella |
Co-Writers  Bettina Gilois, Hernán Jiménez

Biopics with outsized heroes can lay it on thick, but “A Million Miles Away” manages to keep its hero’s feet firmly on earth before his space shot, largely thanks to star Michael Peña as Hernández and Rosa Salazar as his wife. They keep their characters’ humanity even as the soundtrack and visuals blast off. He may be an astronaut, but someone still needs to take out the trash.

Screenwriters Bettina Gilois, Hernán Jiménez and Alejandra Márquez Abella — who base their story on Hernández’s memoir — tell a linear story of a gifted young man who is helped along the way by a teacher, his parents and his extended family. He is rejected so many times from NASA that he keeps all their letters in a folder. READ MORE  By Mark Kennedy, APNews.com

BLUE BEETLE | Warner Bros/DC Comics | Director Ángel Manuel Soto | Writer Gareth Dunnet-Alcocer

After finishing graduation, Jaime Reyes (Xolo Maridueña) returns back to see his family struggling financially and the news that his dad had suffered and recovered from a heart attack. Jaime, along with his sister Milagro (Belissa Escobedo), gets a job at the house of Kord Industries CEO Victoria Kord (Susan Sarandon – relishing every villainous moment), where Jaime chances upon the latter’s gorgeous niece Jenny Kord (Bruna Marquezine). Jenny is dead against her aunt tarnishing the legacy of her late father Ted Kord by harnessing an alien scarab to create an army of cyborg supersoldiers called OMACs, but there’s little Jenny can do against Vicky and her OMAC bodyguard Ignacio Carapax (Raoul Max Trujillo). Eventually, Vicky steals the Blue Beetle Scarab, seeks help from Jaime to smuggle it out of the Kord Headquarters, and…. as anyone would expect, the dormant Scarab awakens suddenly and chooses the poor teen as its host… READ MORE by Bhuvanesh Chandar, thehindu.com

Whereas you could usually expect the civilian loved ones of a fledgling hero in the making to recede into the background as this kind of movie’s focus turns toward the fantastic, Blue Beetle pulls the other Reyeses even closer to Jaime as its story kicks into gear. It’s an interesting choice that’s meant to make Jaime’s transformation into the Blue Beetle feel distinct from other superhero movie narratives where young people are whisked away from everything they know while saving the world. It’s also one of the film’s ways of lovingly depicting the Reyeses as the average kind of tight-knit Latino family unit that audiences can recognize and see themselves in… READ MORE by Charles Pulliam-Moore, theverge.com

Comics fans know that Ted was the previous Blue Beetle, a kind of buggy Batman complete with kooky crime-fighting gadgets and an underground lair… READ MORE by Bob Strauss, sfchronicle.com


What did I (LeAnne) think? 4 outta 5
I’ve never watched Cobra Kai, so I wasn’t familiar with the cutie Xolo Maridueña who plays the title role. But he’s got good energy & heart. Blue Beetle as a Superhero is part Shazam as he’s not skilled in the least & part Moon Knight or Venom cause he’s been chosen to be a host for an entity and really has very little control.

George Lopez has a really fun role as Uncle Rudy. In fact, the whole family totally works & feels authentic. Do most families who speak both Spanish & English really go back & forth so much interchanging the languages? I wish I could do that. It makes your speech so much more colorful.

Anyway, I don’t know if it’s gonna knock BARBIE outta the top spot, but it’s definitely worth seeing in the theater. Unlike STRAYS which I also saw this week.

MY BIG FAT GREEK WEDDING 3| Focus Features | Writer/Director Nia Vardalos |

People love this family and want to revisit with them. And obviously, you can’t go wrong showing the stunning vistas of Greece – too bad the movie is beautifully flat. The young, self appointed Village Mayor, Victory (Melina Kotselou) is lively and brings a certain spark. But things like for instance, the brother Nick (Louis Mandylor) doing his manscaping and other grooming at the dining table. It shouldn’t be the focus of the scene, it’s not that humorous. However, if he was doing it less conspicuously, where we see it’s disgusting, but the family is oblivious, that would make it funny. There’s just a lot of places where things could have been cuter, funnier, more charming… I would say it’s got 2.5 iotas of charm.

JULES | Bleecker Street | Director Marc Turtletaub | Writer Gavin Steckler

Ben Kingsley plays Milton Robinson, a doddering senior whose daughter, Denise (Zoe Winters), worries he is starting to suffer from memory loss and senile confusion. Her fears are not allayed by the fact that Milton begins mentioning an alien that landed in his backyard. The alien is very real and is the titular Jules. Played by Jade Quon in a mute performance, the creature’s silence ultimately acts as encouragement for the people that encounter it to open up more than they normally would… READ MORE by Trace Sauveur, austinchronicle.com 

What follows is good for a wry smile or two (or three), but is not entirely unexpected in this sweet but slight fable. Sandy (Harriet Sansom Harris) christens the visitor Jules, although Joyce (Jane Curtain) insists that the alien looks more like a Gary, as the three of them debate what to do, all while Jules keeps leaving Milton unexplained drawings and performing repairs on the damaged ship, racing against time as Men in Black from some agency called the National Security Center are honing in on the site. (The biggest joke of the film involves what Jules’s ship needs for fuel. I won’t spoil it, except to say it’s a bit silly… READ MORE by Michael O’Sullivan, washingtonpost.com

Though we spend most of our time with Milton, it’s Sandy and Joyce who often steal every scene they’re in. Curtin, who is basically an authority on alien comedies after starring in Coneheads and 3rd Rock From the Sun, stays armed with her iconic comedic timing (one expertly read joke about her old life in the big city made me holler), and Harris matches Kingsley’s ability to cycle between hilarious line deliveries and big-hearted sentimentality, which blessedly never gets too saccharine… READ MORE by Coleman Spilde, thedailybeast.com

What did I (LeAnne) think? 3 outta 5Marc Turletaub is a prolific Producer of movies like “Little Miss Sunshine”, “Loving”, “Safety Not Guranteed” “The Farewell”  – however, a movie he directed, PUZZLE (2018)(RIP Irfan Khan), I absolutely adored and highly recommend to anyone! “Jules” is charming enough, but not very nuanced. Yet, it does go to show you’re never too old to experience wonder 🛸

Tinsel & Tine provides year-round free promotion, sparking conversations and awareness, celebration and reviews of the movie industry - from local indie shorts to international films/filmmakers, to studio driven movies/moviemakers. Mixed with a spotlight on Philly Happenings. #MiniMovieReview #PhillyCalendar

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