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Philadelphia Latino Film Festival 2020 #PHLAFF2020
You don’t think about transsexualism being something that a small town in Panama would be encountering. But obviously, people needing to live their truth in the form of the sex they were not assigned at birth happens anywhere and everywhere. The complexities of the story play out so that you can sympathize with every member of the family, the wife Carol (Gaby Gnazzo) feels betrayed because she feels she’s been a good sport about him needing to play “dress up” now and again, making it a fun “girls night” out for dinner and a movie, but thought they agreed it was never something their three sons, friends, neighbors, co-workers etc…
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Wrong Protagonist: THE HIGH NOTE
Yet, in my opinion, the movie should have centered around Grace Davis and been more of a drama, than comedy. I would have liked to have seen more of her struggle to come to grips with where she is in her career and life. And to have seen more of how she got to be this icon. We get some of all that, but it’s a side dish, instead of the main course.
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The Lovebirds
If you’ve seen and liked 2010’s Date Night (starring Tina Fey and Steve Carell) or the more recent Game Night (starring Jason Bateman and Rachel McAdams), or even to some extent Nanjiani’s out-of-control flick from last summer Stuber, then you should get a kick out of The Lovebirds.
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Troop Zero
The movie stars McKenna Grace (GIFTED w/ Chris Evans) she plays Christmas Flint a 10 year-old growing up in 1977 in the small rural town of Wiggly, Georgia. She’s big into outer space and the idea of life on other planets, mainly because it was also a passion of her deceased mother, who Christmas feels is now a part of the stars and the galaxy. But it’s not her tendency to wear a tinfoil hat that makes Christmas Flint an outcast among her peers – she denies it for most of the movie, however, the truth of the matter is the sudden death of her mother has left her with…
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Chitty Chitty Bang Bang (Vintage)
If only the movie stayed in this world, it would remain a charming story, but instead it veers off into a make-believe fantasy involving a despotic, childish, Trump-like King of Bavaria (Gert Fröbe) , who hates and captures children, and takes whatever he fancies, in this case, the Caractacus refurbished race car now named Chitty Chitty Bang Bang. He also captures Grandpa Potts assuming that he’s the inventor. So it’s up to Caractacus, Truly and the children to go and save him, and in turn free the people of this oppressed village.
