Film & Movie Archives
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Commentary – RED TAILS
by Le Anne Lindsay, Editor It should have been my priority to get this commentary on Red Tails up much sooner – considering it took George Lucas 20 years to get this film made, with a major obstacle being, Hollywood not wanting to spend big bucks on a movie featuring a black cast. Plus, when I see a preview screening, I’d prefer to get my post up by opening weekend. Well, you know the old cliche – better late than never. The Red Tails preview screening was sponsored by The Ben Franklin Global Forum, The Union League of Philadelphia and The Tuskegee Airman Greater Philadelphia Chapter. The pre-screening presentation was…
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HAYWIRE (Steven Soderbergh)
by Le Anne Lindsay I read that Steven Soderbergh was looking to make a more beautiful, stylistic action film in the vein of the classic James Bond film From Russia With Love or the Michael Caine thriller Funeral in Berlin when he set about to make Haywire. His other inspiration was professional mixed martial arts fighter Gina Carano: Soderbergh was flipping between channels late one night and stumbled onto one of Carano’s fights. “I see Gina coming out. She’s got the cornrows; she’s got the warrior affect. I thought, ‘Wow, that’s interesting.’ She destroyed this woman in a cage, and I just hadn’t seen anything like this before,” he said.…
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69th Annual Golden Globe Awards Round Up 2012
Host Ricky Gervais began with saying that his antics of last year - offending just about everyone in the room, the network and the HFPA themselves, earned him an invitation back! He was given a list of "Don'ts" that included not being able to mention anything having to do with Mel Gibson, including Jodie Foster's Beaver...
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Commentary – JOYFUL NOISE
Joyful Noise stars Queen Latifah as Vi Rose, a strong, upstanding, church-going, choir singing mother of two. Her beautiful daughter Olivia (Keke Palmer of Akeelah and the Bee)is 16 and although she still enjoys singing in the church choir, she's also at that age where blind parental obedience has gone out the stained glass window.
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Commentary – In The Land of Blood & Honey (Angelina Jolie Interview)
In terms of Angelina's directing style, I'm glad that she just shot it straight, it's clean and authentic. She didn't try to be an auteur, no gimmicks, nothing vague or highbrow. And as a side note: each scene was shot twice; once in English and another in the language of the region, creating two versions of the film...
