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Spies in Disguise Directors Interview – Troy Quane & Nick Bruno
I really enjoyed meeting the two directors of SPIES IN DISGUISE Troy Quane & Nick Bruno both very engaging and genuinely in love with their movie. They not only made a good directorial team, but they were also perfectly in sync when answering questions...
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UNCUT GEMS
Next thing you know, I am DEEP into this flick!!! The tension built is genius. The score is maddening, but really heightens the mood. Characters just talk over one another, speaking at the same time, like real life. Actually, half of them I think were real people, not actors. There’s never a dull moment.
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RECAP REELBLACK Presents: Screening Series Finale
Note: Recap was published November 10, 2019. Dates get changed to keep some posts on top #PhillyCalendar #MiniRecap on Friday night (11/8) Mike Dennis ended his 15 year Reelblack Inc. Screening Series. Reelblack will still be a leading voice for promoting and producing Black film and media, just in other outlets like the popular Reelblack Youtube channel. The finale was met with a great turnout, impressive local filmmakers, pearls of wisdom, a lot of love and a few technical difficulties 😄 The evening featured 5 local filmmakers and one who Skyped in from the UK – CORINE DHONDEE with her doc BRADFORD YOUNG: CINEMA IS THE WEAPON a candid interview…
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Philadelphia Film Critics Circle 2019 Winners
Most major cities have a Film Association which lends weight to the movies out during Awards Season. Philly didn't have one up until 3 years ago when Critics Rich Heimlich and Stephen Silver decided it was time for Philadelphia (a movie town) to weigh in, establishing the Philadelphia Film Critics Circle (PFCC).
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Little Women
I’ve enjoyed the Susan Sarandon/Winona Ryder version a number of times in the last 25 years, so I wasn’t too keen on a remake. But I have to admit, I enjoyed the fact that Greta Gerwig‘s version is not linear, we start with the girls in the second half of the novel, married and/or making their way in the world. The first half of the book is told in flashbacks. I think the framing works. Gerwig also finds subtle and not so subtle ways to insert a bit of a #Meetoo era feminism into the telling of this beloved classic. The casting is good. I’m not as in love with Florence…
