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THE KITCHEN
by Le Anne Lindsay, Editor I lightly had THE KITCHEN on my radar, thought it was going to be a female driven mob comedy, mainly because of the casting of Melissa McCarthy and Tiffany Haddish who seemed like they could be comedy gold together. But also, I felt the posters and advertising gave me a Charlie’s Angels feeling rather than The Sopranos. The set up of the movie happens quickly, in a comedy this is a good thing, in a gritty crime drama, you want more texture and details. I felt I needed to live longer with these women before I believed they can suddenly take over Hell’s Kitchen. …
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Isn’t It Romantic
Natalie (Rebel Wilson) is told by her mother at a young, impressionable age to stop watching rom/coms cause life’s not a fantasy and especially not for girl’s that look like her. From that point on, Natalie’s approach to life and how people see her became pragmatic and limited. Until she’s knocked unconscious during an attempted mugging, where she wakes up and and finds herself trapped in the stereotypical romantic comedies that she came to despise. As someone who reveres a good rom/com (although, I think someone should have taken them and soap operas away from me as a kid for my mental health) I was looking forward to seeing a…
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Tommy Wiseau’s THE ROOM & James Franco’s THE DISASTER ARTIST
Tinsel & Tine’s Look at THE DISASTER ARTIST & THE ROOM By Le Anne Lindsay, Editor A couple weeks ago when I received Allied’s weekly screening list, Tommy Wiseau’s The Room was scheduled. I didn’t know anything about the movie, so I went to You Tube for a trailer and discovered something weird and nonsensical – only it didn’t appear to be a comedy or a spoof. I didn’t even finish watching the trailer; I just sorta scratched my head, didn’t give it a lot of thought and chose the other films on the list I planned to see in the coming week. Tinsel & Tine Movie Selfie Cut to…
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Movie Blog Post: COLLATERAL BEAUTY
Out of my heart, one treach’rous winter’s day, I locked young Love and threw the key away. Grief, wandering widely, found the key, And hastened with it, straightway, back to me, With Love beside him. He unlocked the door And bade Love enter with him there and stay. And so the twain abide for evermore. “Love And Grief” – Poem by Paul Laurence Dunbar Death & Departure: A Holiday Message By Le Anne Lindsay, Editor of Tinsel & Tine What’s with all the death and dealing with the process of grief stuff this holiday season? David E. Talbert’s Almost Christmas (click for T&T post) deals with a family trying…
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KEANU: Interview with Jordan Peele & Method Man
Peele says it was a challenge he and Key were ready for. “The difference of course at this point,” he says, “is you have to sustain a story. So you can’t just sell out the comedy and expect to be able to go back and have people care (about) what you’re doing. You have to ground it. You have to give it heart. And so ‘Keanu’ takes us through on this journey.”
