Philly Spotlight
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Technically, It is Food in Film – LITTLE SHOP OF HORRORS
Imagine Skid Row --a place of dire destitution that not even the most wretched of wretches could conceive of as a home. This is the setting for a frightening frolic into the minds of a few hungry souls roaming the streets...
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Reelblack Short Film Showcase Recap
I attended last week's Reelblack's Showcase of Short Films by Emerging Artists of Color (I House). Reelblack headed by Mike D has been celebrating, promoting and creating great events around black film in Philly for years; it's certainly not new to me, I've been to other Reelblack film nights and always kept abreast of their happenings, but now that Mike grants me a press pass, you may be seeing more T & T coverage...
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GPFO 25th Anniversary
in one of the sound stages on Sunday night (11.14.2010). Feastivities catered the event and obviously these people understand movie magic. The decor, the accent touches, the menu choices, the service and layout and design of the space – all created an atmosphere of fun, elegance and panache!
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19th Annual Philadelphia Film Festival – NIGHT CATCHES US & SEX MAGIC
by Le Anne Lindsay, Editor Not only was Friday night’s screening of Night Catches Us sold out, but attracted a cool, racial mix of peeps. This Centerpiece screening included a Q & A with writer/director Tanya Hamilton and lead Kerry Washington who looked really chic in her Costello burnt orange dress. Washington was drawn to the film not only because of it’s strong writing, but also the opportunity to humanize an important time period in our history, apart from the stereotypical depiction of afros, machine guns and fists in the air. The film is set around my neighborhood of Germantown/Mount Airy, a fact that one audience member was livid about.…
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19th Annual Philadelphia Film Festival – BLACK SWAN Darren Aronofsky Q & A
Q: Was the film Perfect Blue an inspiration for this film? A: Not really, there are similarities between the films, but it wasn’t influenced by it. It really came out of Swan Lake the Ballet, we wanted to dramatize the ballet, that’s why it’s kind of up here and down there, because ballet is big and small in lots of ways.
