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LIMITLESS w/ Bradley Cooper Special Appearance
by Le Anne Lindsay, Editor “We’d all love to be great, we’d all like to do something special and make an impact on the world. Here’s a story about a guy who actually finds some fantastical way to make it happen. But it’s all played very real, it’s not magic, it’s a pill and it actually make him become the best version of himself, he’s not a superhero, but he has this sense of perfectibility” – Limitless Director, Neil Burger interview on Trailer Addict. Upper level PFS members were invited to an industry preview screening of the new thriller Limitless. The majority of the audience was made up of the…
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Commentary – Hall Pass
What I really give the film props for is not rushing to the plot point. In other words, it’s not just funny after the guys are given the “hall pass”, it starts out with Rick’s kids delivering some dead on zingers, and the laughs just keep building from there...
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DIY filmmaking, marketing and distribution w/ Filmmaker Ava DuVernay
I asked Ava how is she able to do all of this while also running her PR firm, she said, yes, she's a little busy, but she has a hybrid staff of really amazing people who work with her on both ends, and she's now super selective about the projects she takes on in terms of media and marketing; her current selection being the film The Help with Viola Davis. "I take on projects I'm passionate about now."...
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Sofia Coppola’s SOMEWHERE
With so little to do from day to day, you would think Johnny would be on top of work related responsibilities, like scheduled appearances and photo shoots to promote his new film or going to the studio for pre-production stuff on his next film, but he's totally clueless about his itinerary until called by his manager.
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Commentary – No Strings Attached
Guess what? No Strings Attached, for the most part, actually works! Romantic Comedies, I feel are the trickiest of all genres. It's an unknown quotient of ingredients needed to make a good cocktail of two people falling in love, amidst a contrived plot. You often end up with something too sweet, or too flat, too light or too dark...
